Friday, October 14, 2011

TV's Ratings Wars: Winners, Losers


"The Bottom Line" --it's an expression American TV programmers use to describe the ratings depths most new series must go before bottoming out.
Well, CBS is saying its new series Person Of Interest improved Thursday night for the first time since it debuted.
That means it has found its bottom and may now indeed bounce back. The improvement was only a tenth of a percent but any improvement is positive.
On Thursday Charlie's Angels also went up a tenth of a point staving off rumors of imminent cancellation.
But ABC sources are saying that may have been due to the guest appearance of Erica Durance. Insiders are saying ABC may indeed wait a few more weeks to decide the fate of this one.
Then there's the sad case of Prime Suspect which simply cannot escape the long shadow of Helen Mirren in the original.
As a vote of confidence NBC has announced a pick up order for six new scripts. I watched the latest Thursday night episode and I'm saying the format is growing on me.
But ratings actually hit a new low and this despite the repeats running on Mondays.
What's working Thursdays? The old reliables. For CBS that means Big Bang Theory and The Mentalist. ABC's Grey's Anatomy is up 10 per cent giving Private Practice a huge lead in --PP is up 14 per cent.
And The Vampire Diaries on CW is up so much it now routinely beats Prime Suspect and Charlie's Angels on the major networks.
So far the biggest new hit is Fox's New Girl which will be off for baseball playoffs.
the X Factor is a big disappointment. Have North American viewers had enough of Simon Cowell?
Terra Nova has a pretty good ratings number but it's the most expensive show out there at $4 million an episode and Fox says it will only run 13 weeks until the inevitable December cancellation.
Pan Am will probably survive for a full season but ratings keep trickling away. This one is one of the biggest busts of the year considering all the hype.
But Up All Night and Whitney have full season pick ups.
Cancelled stinkers so far include How To Be A Gentleman (CBS), Playboy Club (NBC), Free Agents (NBC).
What new show will be next?

Wednesday, October 12, 2011

The Nano Revolution: Definitely Must See TV


It's entirely appropriate that executive producer Michael Allder ends his 14-year stewardship of The Nature Of Things with his most brilliant production.
It's the three part miniseries The Nano Revolution which jump starts NOT's 51st season making it the longest lasting scripted series on CBC-TV.
And it only took five years to get this incredibly complicated co-production between CBC, Japan's NHK and France/Germany's Arte to come together.
The long wait was worth it.
The animation alone dazzles underpinning a provocative look at the important new world of nanotechnology that will soon transform all our lives in many fundamental ways.
"I don't believe in talking down to TV viewers," Allder is telling me in a telephone conversation. "Certainly we didn't do so our last big co-venture and the result was high ratings and pretty wonderful reviews."
The Nano Revolution literally takes us inside the world of the infinitesimally small and let's us listen in to dazzling conversations with the leading scientific authorities in the field on three continents.
the field of endeavor is always shifting from University of Toronto to the Sahara desert to an Edinburgh heart clinic to a medical practitioner in Italy.
Scientists talk routinely of examining matter that is 80,000 times smaller than a human hair and the world they are discovering can be manipulated for mankind's betterment in all sorts of ways.
"I couldn't have done this one without Skype technology technology," Allder jokes. "I communicated almost every day for years with the co-producers in France and Japan. My call time was 8 a.m. but in Japan it would be 10 p.m. It took a tremendous amount of patience and energy just to get us through. Planning was everything."
The first hour, Welcome To Nano City, outlines the scientific breakthroughs of the science of the minuscule and how complicated control of matter can open up a whole range of great possibilities.
Nano technology can control everything and reach areas denied traditional limits. The effect on everyday life could be tremendous. But there are real concerns how much privacy we'll have to give up to enter this brave new world.
"This one was very expensive to do," Allder explains. "And one broadcaster couldn't try it alone. I've done a few other projects that were 50-50 partnerships--the Geologic Journey is an example. But this one had three equal parties. We worked well together. I think we were true to the original objectives. And I just think part of the formula is respecting the audience."
One use of nano technology is seen in a Mexican city where the drinking water is tinged with arsenic. Using the new techniques the injection of nano cells can significantly erase the arsenic and make the water safe for human consumption.
The second hour on Thurs. Oct. 20 really revs up the excitement. Titled More Than Human it looks at the medical revolution that is right around the corner.
Nano technology can deliver treatment directly to afflicted cells which has great importance with cancer victims. Treatment would then become personalized enabling the nano cells top roam freely through a patient's body. And nano technology is leading the way in advanced tissue engineering as well as stem cell therapy.
The third hour Will Nano Save The Planet (on Thurs. Oct. 27) shows how nano technology could battle pollution concerns and help clean up the wastes of the industrialized age.
The images are dazzling but the comments of the scientists are just as remarkable. One British physicist wanders through the ruins of a gigantic British plant in London abandoned because of asbestos poisoning. He says only 80 years ago this was the latest in technology. And he can't say for certain what the world will be like 80 years from now for his grandchildren.
But The Nano Revolution isn't just about new wave science. One amusing segment shows how the intrusion into our daily lives might drive some people crazy. A woman out for a stroll gets bombarded with ads all specifically tailored to her personality. A man can't even get a restaurant reservation because he refuses to wear his nano chip.
"We had to synthesize three different cultures to get this one documentary mini-series" Allder says."The animation came from Japan and right when we needed it to come together the tsunami knocked out production for six weeks. When one has three directors the results can take some time to coalesce. It was quite a jigsaw.
"And I think the ultimate question will be who is going to own things. People owning this information will be powerful. That's the biggest concern of all."
When Allder took over as executive producer of the Nature Of Things 14 years ago he succeeded the near legendary Jim Murray who was definitely a hands on executive. Allder had little trouble holding on to that gold standard of excellence and even taking NOT into a new realm of co-productions that increased its reputation.
Allder he'll definitely continue to make quality co-productions calling on the best from public broadcasters everywhere.
"It's really the only way for this kind of television to go."
THE NANO REVOLUTION PREMIERES ON THE NATURE OF THINGS ON CBC-TV THURS. OCT. 13 AT 8 P.M.
MY RATING: ****.

Saturday, October 8, 2011

The Strange Death Of Canadian TV


It wasn't supposed to happen like this. The decline and fall of Canadian TV, I mean.
But this new season finds Canadian shows hanging on by a thread while American imports we can already catch from border stations get pride of place in scheduling.
Cable operators are instructed by the CRTC to black out incoming border TV signals and substitute the same shows from the Canadian stations thus giving these series a double rating Canadian shows never enjoy.
So American series will always out rate the Canadian competition by huge figures.
Way back in 1977 my greatish predecessor at the Toronto Star, TV critic Jack Miller, started a hell of a firestorm.
For weeks Miller poured over BBG ratings figures and finally announced that Toronto TV fans spent less than 10 per cent of their prime time viewing Canadian shows.
What a political stink that caused! Questions were asked in Parliament. Network heads were relentlessly grilled at CRTC meetings.
And yet it was all true.
Canadian TV in those days was a 10-channel universe. Today there are hundreds of cable channels out there.
But it seems to me the more channels we get the less quality Canadian drama there is available.
Back then the CRTC was setting down the ground rules for the wonderful world of cable TV and the expansion of conventional commercial networks.
Headed by the brilliant, mercurial Pierre Juneau the CRTC envisaged a grand network of new Canadian channels to serve the public with locally grown shows enjoying the best time slots.
At CBC license renewal hearings Pierre Berton who after all starred on CBC's Front Page Challenge told startled CRTC commissioners the Corp deliberately reserved its best slots for American imports because they attracted more advertising revenue. He charged that Canadian material got the inferior time slots and hence lower ratings.
I was covering that particular hearing for The Spectator and I looked over at the bank of CBC executives and all were beet red from anger. But it was true, that's what truly got them going.
When Juneau didn't think CTV was making enough Canadian shows he slapped a one year license renewal on the network despite the protests of CTV president Murray Chercover.
It was Chercover who once explained to me why CTV never had a fall launch: "Jim, our big Canadian show is Littlest Hobo. You want me to promote THAT?"
At CBC's license renewal hearing Juneau went head to head with CBC President Laurent Picard over the long term aims of the CBC. Picard favored a mixed schedule with big rated U.S. shows leading into Canadian shows and thereby juicing up the ratings.
Juneau scolded him harshly --he favored a true Canadian network.
And the irony is when Juneau finally became CBC President and cancelled all American series he found he didn't have the finances to put on many scripted dramas at all. Successive federal cuts had denuded CBC of its greatness.
In 1977 Jack Miller thought Canadian TV on shaky ground. But I'll wager in today's multichannel TV universe that prime time viewing of Canadian shows is way, way below 10 per cent. I think it's closer to five per cent these days.
Look, I remember in 1985 Canadian TV produced 11 prime time hourlong drama series. What a bonanza! Included in the mix were Street Legal, Wind Up My Back, The City, Power Play. Fantastic!.
But by the next season there were only two series left.
What happened? The commercial networks spearheaded by CTV and Global got the CRTC to change the rules and instead of specifically requesting a certain number of filmed dramas the Commission simply lumped all Canadian content into one mass category.
The next season the commercial networks substituted inexpensive documentaries and reality outings. Canadian TV series drama has been dead ever since.
And why not? A seasoned Canadian producer just told me the networks can buy a big American hit for $100,000 an episode. It comes with gobs of publicity --after all most of the morning and afternoon talk shows are American imports, too.
By contrast a beleagured Canadian producer can spend at best $800,000 to a cool million on each episode of his drama series.
Commercial networks exist to make money. Which is why they spend $600 million or more a year on American shows and less than $100 million on Canadian stuff.
Remember that in prime time Canadian content must be 50 per cent.
Remember also that prime time in Canada starts at 7 p.m. --that was a change CTV's Chercover fought for so he could plop in the likes of Stars On Ice and Half The George Kirby Comedy Hour before switching to U.S. imports. And an hour of Canadian content counts as 90 minutes because of another weird CRTC ruling.
This fall CTV has one scripted drama, Global has none right now.
Network sources say some Canadian series are running on their cable networks while other Canadian dramas are expected later in the fall or at midseason.
But this trickling away of Canadian drama has caused no outcry like it did in 1977 after Jack Miller's revelations.
Could it be Canadians no longer care?
Or did they tune away from Canadian TV a long time ago?

Thursday, October 6, 2011

The Gayest Show Ever?


A new Toronto made series debuts Friday night. The title --The Gayest Show Ever --is pretty provocative.
But is it true?
Mainstream TV has gotten gay with a vengeance in recent years.
Look at all the gay TV celebrities now thriving openly: Neil Patrick Harris, Nate Berkus, Ellen DeGeneres.
And when it comes to gay vibes what about such gayer than gay shows as Desperate Housewives, Glee, Modern Family?
The battle for the hearts, minds and pocket books of gay viewers in Toronto was supposed to start some 10 years ago when Citytv revved up the series QueerTV starring Islamic lesbian Irshad Manji.
Citytv's then reigning guru Moses Znaimer thought the series would guarantee him first prize in the CRTC run off for the first Canadian gay TV license.
But it didn't happen. Another outfit got the license and a bewildering array of name changes followed.
Let's see there was Pridevision which morphed into OUTtv as well as HARD.
And the gay license didn't turn out to be a license to print money after all.
That's because regular TV channels were ramping up the gay content.
For five season Queer As Folk was made in Toronto for Showcase and Showtime.
I remember phoning the producers after the first ratings were out showing a majority of viewers were --straight women. That really threw everybody for a loop.
But none of the engaging cast have gone on to do much. Talented star Gale Harold got typecast and his subsequent series appearances have been dim.
So when a series like The Gayest Show Ever comes along it truly has to deliver.
Which it does. This isn' a gay version of 60 Minutes. It's all over the map with some funny pieces and some suddenly serious reflections.
Host is the talented lesbian stand up Elvira Kurt and she demonstrates some interviewing skills as well as some snazzy one liners. An interview with Cyndi Lauper in the second episode gets to the singer's essence.
In the first show there's a longish bit with John Waters that shows him unready to bend his views to suit the current gay tide of respectability.
Best segment in the first show is a skit starring two drag queens titled Project Dumpster. And a profile of a gay rapper is OK. The look at nude yoga is pretty funny --but some parts of the screen are deliberately blurred.
In the second show a continuing segment called People In The Gayborhood works. But Kurt's encounter with male porno stars who pracise unsafe sex finds her looking embarrassed.
Creator David Walberg executive produced it, Paul Bellini wrote the comedy sketches and Frank Prendergast is the producer.
It just may not be the gayest show on TV these days. But it delivers handily. And that's OK, too,
THE GAYEST SHOW EVER PREMIERES ON OUT TV FRIDAY OCT. 7 AT 10:30 P.M.
MY RATING: ***.

Wednesday, October 5, 2011

Winners And Losers Of The New TV Season


It had to happen. The first casualty of the new fall TV season is --The Playboy Club.
It had to go not merely because it was a terrible show.
Viewers just were not interested in this type of jiggle TV.
So NBC says it will plop in reruns of faltering Prime Suspect until a new series called Rock Center with Brian Williams can begin at the end of the month.
BUT NBC says it will also give full season orders to two somewhat faltering sitcoms: Up All Night starring Christina Applegate and Will Arnett and Whitney Cummings show called Whitney.
Whitney has been a terrible disappointment but NBC simply doesn't have anything else available.
And what new American shows are hits so far?
Well, CBS's Two Broke Girls hit Number 4 in the Top 20 ratings list its first time out but that was because it followed the audience blockbuster Two And A Half Men Mondays at 9.
CBS's Unforgettable tied with another CBS staple Criminal Minds for 12th spot.
CBS's Person Of Interest was number 15.
The X Factor's two showings were tied for 18th spot on Fox --this despite press reports the show had bombed. It didn't but it never garnered anticipated numbers.
And ABC's Pan Am was a sturdy 24th.
NBC's only entry, old or new, was perennial Sunday night favorite.
Conclusion: TV viewers dialed back to tried and true favorites as they almost always do.

Sunday, October 2, 2011

The War Of 1812 Is Must See TV!


"When I started my research on the War of 1812 six years ago I had to cross the border, naturally," remembers American executive producer John Grant.
"And when I told the Canadian border guard my reason for entering Canada he said 'Oh, that's the war where we whipped you guys'.
"But when I returned the American guard merely shrugged and said to proceed. For her it wasn't something she really was aware of."
Grant's long awaited production The War Of 1812 finally appears on PBS stations Monday Oct. 10. He's surely hoping to change the opinions of both guards he met that day.
Becuse this was a most important war for both sides. It changed both sides for good and bad.
For the U.S. it determined that the new republic needed a standing army. The militia that fought these battles under aged and incompetent generals from the Revolutionary days were completely incompetent.
Canadians began to think of themselves as a separate people and not just sparsely inhabitated colonies of Great Britain.
It's strange to think that here is the best TV production about Canada on TV this fall. Because it comes from an American station.
The War Of 1812 is simply enthralling. It's got everything from superbly staged sea battles to bloody conflicts along the Niagara frontier to an unforgettable cast of characters.
Thrill as Laura Secord trudges through the forests to alert British soldiers to an impending attack of American regulars.
Cheer as First Lady Dolly Madison rolls up a portrait of the American Union's first President George Washington and beats a hasty retreat just before the arrival of British soldiers who promptly burn the White House down.
"I've heard there have been other TV films on the war,"Grant allows. "But ours had to reflect sentiment on both sides of the border." What follows is artful threading as myths on both sides get exploded.
There have already been two Canadian versions, one a CBC effort and one a CTV TV movie produced by Tom Gould but both were deemed too pro Canadian to ever make it south of the border.
"We tried for balance,"Grant says "but we definitely are not dull." Buffalo's WNED-TV made the film with PBS backing --there even are some Canadian finances involved.
The war defined the combatants --it was the last time the U.S. was successfully invaded and it was a defining moment for the beleagured colonists of Upper and Lower Canada.
The two hour production looks very luxuriant with elaborately staged battle recreations.
Of course there's no existing battle footage. There even is a complete lack of still photgraphs --it all happened 28 years before the arrival of the first photographers.
The War Of 1812 seems to have a cast of thousands but that's movie making logic . "Make that a cast of dozens," Grant jokes. "Our intrepid production designer Peter Twist was constantly adjusting buttons on the costumes of the volunteers for authenticity's sake. A lot of these scenes are shot in tight close-ups to show the stark fear of the troops. The Americans were rightly petrified of being scalped by England's Indian allies. The British were treated just as roughly."
Night time shooting and plumes of fake smoke disguise the fact there only were 20 soldiers on each side re-enacting a battle scene.
Two period vessels the USS Niagara and The Pride Of Baltimore were hired for the splendid sea battles which were fought at close range. Many sailors on both sides were killed not by cannon balls but exploding shrapnel or gigantic splinters from the timbers.
Grant says "We had the diary reminiscences of two soldiers and use them to personalize the conflict." One was a Kentucky refleman William Atherton who was captured by the British and spent several years in a stinking Montreral prison. The other was British foot soldier Shadrach Byfield. who survived and died decades later in poverty back in Britain.
"The canvas was huge," Grant says. There were pitched battles in the Northwest, the Niagara Corridor, Lakes Ontario, erie and Champlain, and in Chesapeke and New Orleans.
"All the while the English were concentrating on defeating Napoleon. In fact that's where General Brock would have preferred to be. Consequently it was hard locating British experts to talk saout the war although we did find a few."
Experts pop up throughout but these are not the usually boring talking heads. "It's a real diversity of opinion out there."
We get precise character studies of the important subjects.
President Madison is portrayed as a dwarfish individual entirely under the control, of his more forward looking wife Dolly.
General William Hull is shown cowering in a corner rather than leading his troops into battle.
One of the greatest figures is the Indian warrior Tecumseh who accurately forecast the demise of the Indian nation should the Americans win.
We learn that black soldiers fought courageously on both sides. The British used black soldiers to strike fear into the hearts of slave owning Southern whites.
Laura Secord? Her image increased with the passage of time until the Prince of Wales asked to see her when he visited Canada in 1860. She died at 93 a year after Confederation but her fame continued to grow.
If you want to know about military medicine it's all here --surgeons had but a few minutes to amputate limbs crushed by cannon balls or the soldiers would bleed to death.
Lawrence Hott and Diane Garey directed and Ken Chowder wrote it and they're likely to be nominated come Emmy time.
The War Of 1812 has everything --true life adventure, superb winners and tragic losers (like the great warrior Tecumseh), and a story line that explains how Canadians began developing as a separate people.
It's one of the few recent TV programs I watched and thought it should go on and because it's so chock full of information and excitement. And it's all real.
Grant says he's already working on another history documentary that criss crosses the Canada-America border. "It'll be on the Undergground Railroad. Americans know about the U.S. side but we'll also look at the experiences of fleeing ex-slaves once they reached Canada."
THE WAR OF 1812 PREMIERES ON WNED-TV AND OTHER PBS STATIONS ON MOND. OCT. 10 AT 9 P.M.
MY RATING: ****.

Saturday, October 1, 2011

CBC's InSecurity Returns For A Second Season


Surprise! CBC's situation comedy InSecurity is returning for a second season.
And chatting with creator and show runner Kevin White he says wasn't concerned for a minute the show might not be picked up.
"We all saw a lot of potential," White says. "And there's a lot of fine tuning that has taken place. It's a very different kind of comedy this time out. The plots are more organized. And it's funnier.
"This new season there's more concentration on office work and that kind of atmosphere and less on how bumbling the team can be out on assignment."
In fact the badinage at times in the first new episode which I've sneak previewed makes it seem these bungling spooks would be right at home working at Dunder Mifflin.
White agrees with me the first batch of 13 episodes was often a tad disorganized and rough around the edges.
The sitcom is shot in Regina (for economic reasons) although set in Ottawa and two episodes are block shot every eight days.
The rhythm just wasn't there the first time out but the new batch seem smoother and better modulated.
CBC is desperately seeking a ratings strong successor to Little Mosque On The Prairie which has been wilting away and surely won't be back next season.
CTV is just as desperate for a new hit to replace Corner Gas. Dan For Mayor was obviously not that show (White worked on that one too) and has already been cancelled.
That still leaves hiccups --the decision is still out.
InSecurity isn't the only sitcom to ever get retooled in its sophomore outing.
The same thing saved Seinfeld and Parks And Recreation.
It's clear that the workplace is going to be the real field of conflict. InSecurity has a huge, high tech wokrk place --the set was kept up in Regina on the chance CBC would order another batch. But the order was scaled back to 10 new half hours because of budget constraints.
Also, the focus has been switched so that blonde and beautiful Natalie Lisinska is solidly front and center as the headstrong but slightly daffy head Alex Cranston.
"All of them are more competent and focused on the drudgery of office politics," explains White. "I mean now the actors know each other and they can interact better, they're more at ease."
Returning characters include the director Peter McNeill (played by William deVry of The Bold And The Beautiful), veteran agent Claude Lesage (Remy Girard), team player Burt Wilson (Mathew MacFadzean), forensic specialist Grace Lynn Kung (Grace Lynn Kung from Being Erica)and unpredictable agent Benjamin N'udu (Richard Yearwood).
CBC notes say while the first season played like a CSI parody in the second batch branch out and we'll get to know more about the office romances, the bad clothes some wear and the mistakes common to any disorganized office.
In the first new episode Burt flunks a lie detector test because he's concealing an office romance and Claude comes dressed up in Seventies duds to show he's with it. The best stuff. however, happens out of the office as Alex faces off against an iffy Russian double agent beautifully played by ()()()()().
"On Corner Gas we had an instant winner, it just all came together," says White. He worked on that one as well. "There's no formula. Except maybe hard work and luck. It rarely happens that easily."
Indeed many hit U.S. sitcoms go through multiple pilots before hitting the air, an option that's too expensive for Canadian TV.--InSecurity had two pilots however.
"We had tons of good ingredients the first season. We're going where the show leads us. It's evolving and it is getting consistently better.
"Bringing in personal details from Alex's life --some friends and relations --that will help. It's a very tough atmosphere to launch a new show. But Ron James did it. We have a second chance and we're taking full advantage."
And
0 forgot to ask if the set is staying up in anticipation of Season Number Three.
THE SECOND SEASON OF INSECURITY PREMIERES ON CBC-TV MONd. OCT. 3 AT 8:30 P.M.
MY RATING: ***.